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Brian Tallerico

Tomatometer-approved critic

Reviews

Movies TV Shows
Good Luck, Have Fun, Don't Die (2025) 83% 3/4 EDIT “It’s a bit haphazard in both structure and messaging, but there’s a creative spark under this one that’s missing from a lot of Hollywood products of late.” – RogerEbert.com Feb 13, 2026 Full Review Sirāt (2025) 93% 4/4 EDIT “It’s a reminder of what movies can do when they loosen the restraints of traditional narrative and remember that images are meant to evoke as much as they are to explain.” – RogerEbert.com Feb 9, 2026 Full Review The Strangers: Chapter 3 (2026) 18% 1.5/4 EDIT “By the end, I wasn’t rooting for the fictional Maya to survive the night as much as for the actress who plays her to move on to better material.” – RogerEbert.com Feb 9, 2026 Full Review Gail Daughtry and the Celebrity Sex Pass (2026) 74% EDIT “Wain and co-writer Ken Marino just don’t find the laughs on this comedic yellow brick road.” – RogerEbert.com Feb 3, 2026 Full Review To Hold a Mountain (2026) 100% EDIT “It's cheesy but sometimes all you can do is what you’re capable of today, whether that’s something as simple as tending sheep or fighting back against a military occupation.” – RogerEbert.com Feb 3, 2026 Full Review Knife: The Attempted Murder of Salman Rushdie (2026) 100% EDIT “There's something undeniably inspiring about seeing Salman Rushdie fight back against those waves. May we all be so strong.” – RogerEbert.com Feb 3, 2026 Full Review How to Divorce During the War (2026) 100% EDIT “It’s smart, dryly humorous, and perfectly shot. ” – RogerEbert.com Feb 3, 2026 Full Review zi (2026) 71% EDIT “There's just not enough to hold onto, resulting a film that’s an admirable experiment but a misfire, nonetheless.” – RogerEbert.com Feb 3, 2026 Full Review BURN (2026) EDIT “While it contains some harsh, bleak truths, there’s an empathy for these kids that’s palpable, and it’s the sense that Nagahisa cares about Ju-Ju that makes it work. ” – RogerEbert.com Feb 3, 2026 Full Review Seized (2026) 100% EDIT “The story that Liese tells feels like one that more people need to hear … while we’re still allowed to tell it.” – RogerEbert.com Feb 3, 2026 Full Review Nuisance Bear  (2026) 100% EDIT “It’s one of the most visually striking films that you’ll see this year. ” – RogerEbert.com Feb 3, 2026 Full Review The Lake (2026) 100% EDIT “It’s a strong documentary that understands that this isn’t a simple issue: Asking an already delicate ecosystem like that of the Utahn farmer to put itself in further jeopardy isn’t easy for scientists or the politicians who need their votes. ” – RogerEbert.com Feb 3, 2026 Full Review The Muppet Show (2026) 98% EDIT “It understands why people still love the original.” – RogerEbert.com Feb 3, 2026 Full Review undertone (2025) 88% 3.5/4 EDIT “Some will argue that all of the themes of "undertone" don’t connect, but that’s a feature, not a bug. This is a film that doesn’t feel the need to explain itself. Nightmares rarely do.” – RogerEbert.com Feb 2, 2026 Full Review The AI Doc: Or How I Became an Apocaloptimist (2026) 3/4 EDIT “It seeks to raise awareness and spark conversation more than to draw conclusions. ” – RogerEbert.com Feb 2, 2026 Full Review Rock Springs (2026) 74% EDIT “The two halves of this film never cohere into a satisfying whole as Vera Miao can’t figure out how to make us interested in this traumatized family that’s never developed into something that feels three-dimensional.” – RogerEbert.com Feb 2, 2026 Full Review Saccharine (2026) 70% EDIT “It has strong visuals and interesting ideas but too little idea how to tie them together before it explodes in a final act filled with mixed messages that could be read as downright fatphobic. ” – RogerEbert.com Feb 2, 2026 Full Review The Best Summer (2026) 91% EDIT “It’s an effective reminder of when tours like this felt less corporate and more driven by artistic expression.” – RogerEbert.com Feb 2, 2026 Full Review All About the Money (2026) EDIT “I can imagine reading a longform article about Chambers to be of interest, spending this much time with him feels fruitless, leading to a film that doesn’t have enough to say beyond profiling someone who loves to be profiled.” – RogerEbert.com Feb 2, 2026 Full Review Hanging by a Wire (2026) 88% EDIT “Despite the sense that ‘Hanging by a Wire’ s a bit too clean … the end result is undeniably moving, especially when the survivors and their fathers talk about that unforgettable da” – RogerEbert.com Feb 2, 2026 Full Review Closure (2026) EDIT “A moving story of how grief and love can harden into determination.” – RogerEbert.com Feb 2, 2026 Full Review See You When I See You (2026) 71% EDIT “There are a few too many times when it feels like an element of Cayton-Holland’s book that probably had pages to develop—like the bird subplot or even the cancer one—just doesn’t have enough room to breathe on the big screen.” – RogerEbert.com Jan 31, 2026 Full Review The Only Living Pickpocket in New York (2026) 100% EDIT “The unimpeachable cast holds it aloft every time it threatens to sink into the mud of cliché.” – RogerEbert.com Jan 31, 2026 Full Review The Weight (2026) 93% EDIT “There are some camera choices that could hamper complete enjoyment by all—including a late-movie fight that’s shot far too close—but the last ten minutes of "The Weight" are as satisfying as anything you’re likely to see this year.” – RogerEbert.com Jan 31, 2026 Full Review The Musical (2026) 56% EDIT “It’s a bitter comedy that has one idea and doesn’t even explore that well. ” – RogerEbert.com Jan 29, 2026 Full Review
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