Tyler Perry's Joe's College Road Trip (2026)
EDIT
“While expansively anarchic to a fault, the movie’s anger, and its pride, is convincing.” –
New York Times
Feb 13, 2026
Full Review
Cold Storage (2026)
79%
3/4
EDIT
“It strikes a nifty balance between the sardonic and the stressful and throws a lot of gnarly gore and gook into the scenario, as a bargain.” –
RogerEbert.com
Feb 13, 2026
Full Review
Dracula (2025)
52%
2/4
EDIT
“It gets by on the power of Besson (and Landry’s) conviction. ” –
RogerEbert.com
Feb 6, 2026
Full Review
Starman (2025)
EDIT
“Lee’s gospel of the possible is ultimately a winning one.” –
New York Times
Feb 4, 2026
Full Review
Shelter (2026)
63%
EDIT
“As a vehicle for Statham’s bone-breaking escapades, it’ll do. ” –
New York Times
Jan 29, 2026
Full Review
The Big Fake (2026)
2.5/4
EDIT
“The hair-raising narrative content notwithstanding, the movie doesn’t create much emotional traction.” –
RogerEbert.com
Jan 23, 2026
Full Review
Kidnapped: Elizabeth Smart (2026)
100%
EDIT
“Her resilience and frankly astonishing good humor come through as well. That her life since her ordeal has returned to normal — she’s now married, with children of her own — adds another dimension to her miracle.” –
New York Times
Jan 21, 2026
Full Review
Dolores Claiborne (1995)
86%
A-
EDIT
“Confrontations between ”crude” parent and ”sophisticated” child have long been a dramatic commonplace, but both actresses seem hell-bent to get to the core of their characters.” –
Entertainment Weekly
Jan 20, 2026
Full Review
Misery (1990)
86%
B+
EDIT
“It’s hard to imagine anyone taking Bates’ place (or even wanting to, for that matter) in Misery.” –
Entertainment Weekly
Jan 20, 2026
Full Review
Shuffle (2025)
100%
EDIT
“Shuffle, a shocking and confounding new documentary directed by Benjamin Flaherty, lays out in painstaking detail the collusion between moneymaking rehab treatment centers, double-dealing insurance entities and predatory social-media “scouts”...” –
New York Times
Jan 15, 2026
Full Review
Magellan (2025)
88%
3.5/4
EDIT
“‘Magellan,' about the titular Portuguese explorer, clocks in at a relatively tidy two hours and 45 minutes, making it practically an ideal starter picture for those curious about Diaz’s work” –
RogerEbert.com
Jan 9, 2026
Full Review
My Neighbor Adolf (2022)
44%
EDIT
“One could call this a squandered opportunity, but then one would also have to ask, “To do what, exactly?” –
New York Times
Jan 8, 2026
Full Review
The Choral (2025)
68%
EDIT
“A moving account of music as a way of coping with war, as well as keeping it at bay.” –
New York Times
Dec 24, 2025
Full Review
Lone Samurai (2025)
2.5/4
EDIT
“Filmmaker Waller is here trying to have things both ways: to pay a sincere tribute to the classic Japanese samurai movies in the widescreen frames and spurting blood it borrows, and also to make a genuine thing, a samurai qua samurai picture.” –
RogerEbert.com
Dec 12, 2025
Full Review
Atropia (2025)
41%
EDIT
“The cast, also featuring Tim Heidecker, Chloë Sevigny and Channing Tatum, is charismatic and at times piercingly funny.” –
New York Times
Dec 11, 2025
Full Review
La Grazia (2025)
81%
3/4
EDIT
“It’s a startling image, in a movie full of startling, sometimes unexpected ones (like that of a robot dog making a late entrance in this picture).” –
RogerEbert.com
Dec 6, 2025
Full Review
The Merchants of Joy (2025)
EDIT
“Aniskovich has the wit to do a homage to the stop-motion stylings of the television classic “Rudolph the Red-Nosed Reindeer.” She also offers up zesty character studies of the ostensible Big Five of New York City tree vendors.
” –
New York Times
Dec 2, 2025
Full Review
You Got Gold: A Celebration of John Prine (2025)
EDIT
“Prine’s songs are full of wisdom, drama, laughs and heartache, and as such they’re the real show.” –
New York Times
Dec 1, 2025
Full Review
The Stringer: The Man Who Took the Photo (2025)
92%
3.5/4
EDIT
“It’s a fascinating and disquieting documentary. ” –
RogerEbert.com
Nov 26, 2025
Full Review
Stop the Insanity: Finding Susan Powter (2025)
64%
EDIT
“The documentary ends not with the promise of a comeback, but with a resolution to restore some, well, sanity to Powter’s life.” –
New York Times
Nov 20, 2025
Full Review
Trap House (2025)
52%
2.5/4
EDIT
“The narrative moves along at a spanking pace, and the action is staged and shot at a pretty high level. Not quite, you know, peak Peter Hyams level, but pretty good.” –
RogerEbert.com
Nov 14, 2025
Full Review
Being Eddie (2025)
75%
EDIT
“As is customary with testimonials, the emphasis is on positivity.” –
New York Times
Nov 13, 2025
Full Review
Modi: Three Days on the Wing of Madness (2025)
50%
EDIT
“The energetic and arguably strenuous performance by the lead actor, Riccardo Scamarcio, is something of a flex, to be sure.” –
New York Times
Nov 6, 2025
Full Review
Last Days (2025)
32%
EDIT
““Last Days” manages to be thoroughly disquieting without overtly judging its subject.” –
New York Times
Oct 24, 2025
Full Review
Good News (2025)
91%
3/4
EDIT
“The irrepressible tone of mordant giggliness this movie hits so often is entirely its own, keeping the movie buoyant throughout its over two-hour running time. ” –
RogerEbert.com
Oct 18, 2025
Full Review
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