Rotten Tomatoes
Movies Tv shows RT App News Showtimes
Critics list

Leslie Felperin

Tomatometer-approved critic

Reviews

Movies TV Shows
Only Rebels Win (2026) EDIT “[Only Rebels Win] offers a workable blend of new and old, contemporary geopolitics and local socioeconomic tensions rubbing up against primordial, universal passions and follies.” – The Hollywood Reporter Feb 12, 2026 Full Review The Day the Earth Blew Up: A Looney Tunes Movie (2024) 86% 3/5 EDIT “It never provokes full-on out loud laughs, but there are wry chuckles to be had and the ferocity of the execution is pretty fun.” – Guardian Feb 12, 2026 Full Review Eli Roth Presents: Jimmy and Stiggs (2024) 60% 1/5 EDIT “Viewers are advised to bring painkillers to this, and possibly a good book to read during the dull interstitial bits.” – Guardian Feb 10, 2026 Full Review André Is an Idiot (2025) 93% 4/5 EDIT “There’s nothing radical or groundbreaking about either that message or the film-making on show here, but Ricciardi and Janice’s honesty and indeed that of all those around him, prove to be very moving in the long run.” – Guardian Feb 4, 2026 Full Review Shelter (2026) 63% 2/5 EDIT “Shelter, formulaically directed by Ric Roman Waugh (Greenland) working from a script by Ward Parry (The Shattering), feels populated by indestructible plastic tropes that have cracked and faded after years of scorching sun exposure.” – Guardian Feb 2, 2026 Full Review Mr. Nobody Against Putin (2025) 100% EDIT “[A] touching, intimate chronicle.” – The Hollywood Reporter Jan 29, 2026 Full Review Cookie Queens (2026) 100% EDIT “Cookie Queens serves up an eminently accessible and easily meme-able serving of American-girl cuteness, featuring a diverse cast of well-chosen young women.” – The Hollywood Reporter Jan 27, 2026 Full Review Witchboard (2024) 61% 3/5 EDIT “Tacky as all this is, the fact that the flashbacks are in French adds a slight tang of authenticity.” – Guardian Jan 27, 2026 Full Review The Wrecking Crew (2026) 73% 3/5 EDIT “The whole package is an easily digested guilty pleasure.” – Guardian Jan 26, 2026 Full Review Mother of Flies (2025) 94% 3/5 EDIT “Overall, this is better and glossier than some of the Adams-Poser posse’s earlier efforts, but perhaps not quite enough of an evolution to take their vision to the next level.” – Guardian Jan 20, 2026 Full Review The Knife (2024) 91% 3/5 EDIT “With just a few subtle strokes, the screenplay underscores how everyone here is fudging the truth a bit, and its restraint is the film’s quiet strength.” – Guardian Jan 13, 2026 Full Review I'm Chevy Chase and You're Not (2025) 92% 3/5 EDIT “Best of all, Zenovich and her editor, splicing and dicing 50 years of archive material, get across Chase’s abundant talent at its best, particularly his masterly command of the pratfall, and his immaculate comic timing.” – Guardian Jan 2, 2026 Full Review Light Needs (2023) 5/5 EDIT “A thoughtful electronic score adds a playful touch throughout, and this works as a coherent film despite its fragmentary parts. Immaculate.” – Guardian Dec 22, 2025 Full Review Omniscient Reader: The Prophecy (2025) 25% 2/5 EDIT “You’d think with all that palaver about novels becoming reality and so on that this would have a bit more fun with metatextual jokes, but no, the film is profoundly single note.” – Guardian Dec 17, 2025 Full Review Europe's New Faces (2025) 2/5 EDIT “The lack of story, structure, or any clear editorial principle is a serious impediment to empathy for these poor, struggling people; the 159-minute runtime feels like four years.” – Guardian Dec 16, 2025 Full Review True Lies (1994) 77% EDIT “Given its confusion as to whether it is The Thin Man revisited or James Bond updated, it muddles through well enough.” – Sight & Sound Dec 10, 2025 Full Review Food Delivery: Fresh from the West Philippine Sea (2025) 3/5 EDIT “In technical terms, this suffers a bit from a somewhat scattered narrative approach and a tacky musical score that overemphasises the emotional beats. But it’s a fascinating subject that’s little discussed outside the far east.” – Guardian Dec 9, 2025 Full Review The Tale of Silyan (2025) 100% 4/5 EDIT “Kotevska depicts the growing bond between man and bird with warmth and humour, and while the musical score is a bit on the sappy side, there are enough drolly astringent touches to make this cockle-warming family viewing.” – Guardian Dec 8, 2025 Full Review Dreamers (2025) 92% 4/5 EDIT “Thanks to subtle, considered performances, a finely milled script, inventive craftsmanship and a deep sense of empathy for the precarious lives of refugees, it packs a considerable wallop.” – Guardian Dec 2, 2025 Full Review The Boatyard (2025) 1/5 EDIT “In the end, this isn’t anywhere near as gory as the Hills films at their worst, but there’s something much more dispiriting about The Boatyard’s pointlessness, its lack of wit, empathy, or basic film-making skill. ” – Guardian Nov 26, 2025 Full Review Six Days in Spring (2025) EDIT “The elliptical storytelling in Lafosse’s script arguably holds back too much information, compelling the viewer to wonder why they should invest in the characters’ fates. At least the cast are likable enough to coax empathy.” – The Hollywood Reporter Nov 26, 2025 Full Review Ungrateful Beings (2025) EDIT “Omerzu’s touch is light, ironic and gently amused, a little reminiscent of François Ozon, who has a similar facility with twisty sly comedy-drama grounded in pain.” – The Hollywood Reporter Nov 26, 2025 Full Review Weightless (2025) EDIT “An audacious but sensitive feature debut from director Emilie Thalund.” – The Hollywood Reporter Nov 26, 2025 Full Review Primitive War (2025) 65% 3/5 EDIT “There’s a cheerful cheesy gleefulness that motors the movie along.” – Guardian Nov 25, 2025 Full Review A Desert (2024) 83% 3/5 EDIT “It’s perhaps not a very profound message, but the visual and editing styles are swoony and most bewitching.” – Guardian Nov 18, 2025 Full Review
No Reviews Yet
Load More