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Mark Keizer

Tomatometer-approved critic

Reviews

Movies TV Shows
Diabolic (2025) 67% 2/5 EDIT “What Phillips is effectively doing is taking the most interesting parts of Elise’s character...and reducing them to fodder for a cheap batch of horror movie scares. ” – MovieWeb Feb 11, 2026 Full Review Cold Storage (2026) 77% 2.5/5 EDIT “No matter where we are in the story, there’s the nagging feeling that none of this is as funny or thrilling as you’d like it to be.” – MovieWeb Feb 11, 2026 Full Review Good Luck, Have Fun, Don't Die (2025) 84% 3.5/5 EDIT “A full-service, anything-goes dark comedy about the dangers of artificial intelligence that’s crammed with visual inventiveness, narrative left turns, and eccentric characters.” – MovieWeb Feb 6, 2026 Full Review Dracula (2025) 52% EDIT “An unnecessary work of romantic Dracula fan fiction.” – MovieWeb Feb 3, 2026 Full Review Shelter (2026) 63% 2/5 EDIT “Shelter consists of so many spy-movie clichés and "been-there-punched-that" fight scenes that maybe it’s time for (Statham) to holster that Glock 17 and attempt something new.” – MovieWeb Jan 28, 2026 Full Review Send Help (2026) 93% 3/5 EDIT “Send Help satisfies as a delicious two-hander that keeps you guessing, and features beautifully modulated performances by Rachel McAdams and Dylan O’Brien.” – MovieWeb Jan 26, 2026 Full Review Mercy (2026) 24% 2/5 EDIT “The "swift justice" promised by its story's judicial system would be best applied by burying the film in the lowest tier of Prime Video.” – MovieWeb Jan 21, 2026 Full Review Greenland 2: Migration (2026) 49% 2.5/5 EDIT “Even if one is inclined to be sympathetic toward a film series that has no right to be as decent as it is, the generic and passably entertaining Greenland 2: Migration ultimately fails to build on the promise of the original.” – MovieWeb Jan 8, 2026 Full Review The Testament of Ann Lee (2025) 87% 4.5/5 EDIT “An uncommonly full-bodied and transporting theatrical experience that charts the progress of the Shakers from England to America, and it does so without any condescension or cynicism towards religious thought.” – MovieWeb Dec 22, 2025 Full Review The Choral (2025) 68% 2.5/5 EDIT “Guthrie is the town's final bulwark before it is forced to fully engage with the war, but without...a willingness to light anything stronger than a match to illuminate the darker corners of its story, the film stays stubbornly pleasant.” – MovieWeb Dec 22, 2025 Full Review The Housemaid (2025) 74% 3/5 EDIT “For all its intricate weaving of cliché and camp, a tale involving gender stereotyping and social-economic imbalance is hiding in plain sight.” – MovieWeb Dec 16, 2025 Full Review Ella McCay (2025) 23% 2/5 EDIT “A withering letdown of a political fairy tale that feels dated from its first frame and disappointing until its final frame.” – MovieWeb Dec 10, 2025 Full Review Influencers (2025) 96% 3/5 EDIT “(Director Kurtis David) Harder seems content to serve up exotic locales, zero-percent-body-fat tourists, buckets of blood, and two characters ready to chase each other to the ends of the earth. On that basis, Influencers delivers the goods.” – MovieWeb Dec 9, 2025 Full Review Merrily We Roll Along (2025) 95% 3/5 EDIT “A resoundingly successful reclamation project featuring cleverly crisscrossing emotional lines, three great performances and some of Sondheim's finest songs.” – MovieWeb Dec 5, 2025 Full Review Frontier Crucible (2025) 2.5/5 EDIT “It’s another chapter in the endless story of how the West was won, although in this telling the West was won very slowly and with little tension or sense of urgency.” – MovieWeb Dec 4, 2025 Full Review Hamnet (2025) 86% 4/5 EDIT “Both deft in touch and heavy in emotion.” – MovieWeb Nov 27, 2025 Full Review Train Dreams (2025) 95% 4.5/5 EDIT “An uncommonly lovely tone poem that feels sprung from the very earth that gave us the spruce trees and gentle streams that connect us to the natural world.” – MovieWeb Nov 20, 2025 Full Review Rental Family (2025) 87% 3/5 EDIT “Hikari is not afraid to splash around in morally murky waters, even if the results can be cloying and crowd-pleasing.” – MovieWeb Nov 20, 2025 Full Review Shelby Oaks (2023) 55% 2/5 EDIT “A repository of questionable character choices, faulty story logic, repetitive visual motifs, stilted dialogue and nods to other horror entries.” – MovieWeb Oct 31, 2025 Full Review Good Fortune (2025) 78% 2.5/5 EDIT “The film is ultimately too gentle in its commentary and too clunky in its storytelling to inspire us to rally around its well-timed, if tepidly delivered, message.” – MovieWeb Oct 16, 2025 Full Review The Mastermind (2025) 90% 3.5/5 EDIT “A low-key, frequently funny and increasingly damning portrait of a self-sabotaging American whose shortcut to self-realization results in a multi-state effort to escape his responsibility to his fraying family and his fractured society.” – MovieWeb Oct 14, 2025 Full Review Afterburn (2025) 1.5/5 EDIT “(Director) J.J. Perry saddles Bautista with a severely underdeveloped example of the reluctant hero archetype, preferring that he punch, shoot and drive his way through a wasteland of action movie clichés rendered in relentless blacks and grays” – MovieWeb Sep 20, 2025 Full Review Waltzing with Brando (2024) 56% 2/5 EDIT “Zane is thoroughly riveting, which only makes it more disappointing that the movie surrounding him is so misjudged in almost every other department.” – MovieWeb Sep 18, 2025 Full Review Rabbit Trap (2025) 47% 2/5 EDIT “A technically outstanding but stubbornly cryptic folk horror mood piece that uses vague ambiguity as its primary currency.” – MovieWeb Sep 12, 2025 Full Review The Roses (2025) 64% 3/5 EDIT “The Roses may stop short of being truly transgressive, but it makes up for it with a sneaky-sharp script where the insults spice up the tragicomic story of a power couple who can't manage to both be powerful at the same time.” – MovieWeb Aug 25, 2025 Full Review
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