Marshall Shaffer
Tomatometer-approved critic
Biography:
Marshall Shaffer is a New York-based freelance film journalist. His work has appeared on Slashfilm, Slant, Decider, Little White Lies, Vague Visages and many other outlets.
Good Luck, Have Fun, Don't Die (2025)
83%
B
EDIT
“"Good Luck, Have Fun, Don’t Die" arrives in American theaters at just the right moment with its defiant refusal to blindly follow humanity into a new era of surrender to technology.” –
The Playlist
Feb 12, 2026
Full Review
The History of Concrete (2026)
100%
A-
EDIT
“Though Wilson’s voice takes up the most real estate in the film, he’s magnanimous in ceding the floor to those he encounters along the circuitous route to revelation – and draws clear inspiration from them along the way.” –
The Playlist
Feb 12, 2026
Full Review
Chasing Summer (2026)
70%
B+
EDIT
“The defiant, deliberate Shlesinger refuses to let "Chasing Summer" fall into any expected patterns. The narrative vacillates just as the always plainspoken and newly free-spirited Jamie does.” –
The Playlist
Feb 12, 2026
Full Review
The Only Living Pickpocket in New York (2026)
100%
B
EDIT
“Segan laments a bygone bustling past, speaks to an uncertain present, and points to New York’s eternal beacon of hope to tease the promise of future renewal.” –
The Playlist
Feb 12, 2026
Full Review
Nirvanna the Band the Show the Movie (2025)
97%
3/4
EDIT
“The film offers a joyous throwback to the optimistic feeling of the early internet creator era.” –
Slant Magazine
Feb 10, 2026
Full Review
Josephine (2026)
97%
3.5/4
EDIT
“Beth de Araújo’s sophomore feature is a harrowing chronicle of a premature maturation.” –
Slant Magazine
Feb 3, 2026
Full Review
Leviticus (2026)
95%
3/4
EDIT
“As star-crossed lovers resolve to battle their demons rather than surrender, this at times intensely creepy horror tale reveals itself to also be a potent and poignant teen romance.” –
Slant Magazine
Jan 31, 2026
Full Review
I Want Your Sex (2026)
88%
2/4
EDIT
“The film gets too caught up in concern trolling about the sexual timidity of today’s youth.” –
Slant Magazine
Jan 30, 2026
Full Review
See You When I See You (2026)
71%
C+
EDIT
“There’s a good movie about therapy and PTSD inside Jay Duplass’ "See You When I See You." The trouble is, it’s buried in a so-so family ensemble film about shared grief and recovery.” –
The Playlist
Jan 27, 2026
Full Review
Gail Daughtry and the Celebrity Sex Pass (2026)
74%
C+
EDIT
“Even the most hair-brained of Wain’s films have some quality elements, but it’s nevertheless a slight disappointment to see a luminary operating at the lower end of his power and promise.” –
The Playlist
Jan 27, 2026
Full Review
The Invite (2026)
91%
C
EDIT
“For all the belabored artistry of this choppily cut enterprise, little in "The Invite" actually moves. It’s potential energy, unconvincingly trying to pass itself off as kinetic.” –
The Playlist
Jan 27, 2026
Full Review
Frank & Louis (2026)
91%
C+
EDIT
“Volpe spends a lot of time circling the obvious in both character dynamics and narrative direction. When coupled with the generally reserved tonality, a certain sluggishness sets in once the film’s basic trajectory becomes evident.” –
The Playlist
Jan 27, 2026
Full Review
Union County (2026)
97%
B+
EDIT
“In place of sensationalized story beats or pathologized characterization, Meeks’ screenplay stitches together mundane moments with an eye toward minutiae and procedure.” –
The Playlist
Jan 27, 2026
Full Review
The Shitheads (2026)
70%
B
EDIT
“By the time The Shitheads arrives at its ultimate destination, the whole enterprise might feel like it’s hanging on by a string. But that string is the heartstring.” –
The Playlist
Jan 27, 2026
Full Review
The Incomer (2026)
91%
B
EDIT
“Paxton makes explicit that this is a story about making decisions from an outlook that favors hope over fear. And, at least for the duration of the film, he creates an imaginary universe where such a choice feels both logical and lovable.” –
The Playlist
Jan 27, 2026
Full Review
Anaconda (2025)
48%
D-
EDIT
“Let this film with no bite serve as rock bottom for the IP era.” –
The Playlist
Jan 27, 2026
Full Review
Mr. Nobody Against Putin (2025)
100%
EDIT
“Mr. Nobody Against Putin provides an invaluable look at daily life under Putin’s Russia. ” –
Decider
Jan 27, 2026
Full Review
Ella McCay (2025)
23%
D
EDIT
“But the screenplay is an otherwise calamitous creation that demonstrates more than just a lack of Brooks’ previous genius. It stands in complete disregard for the most basic principles of screenwriting.” –
The Playlist
Dec 11, 2025
Full Review
Marty Supreme (2025)
94%
4/4
EDIT
“Marty Supreme rapturously reprises a siren song that transcends any single American era, beckoning hustlers to heed its call.” –
Slant Magazine
Dec 1, 2025
Full Review
Eternity (2025)
76%
B+
EDIT
“This level of thoughtful, intricate design never pulls focus from the main love stories. It only serves to enhance the experience of watching "Eternity" move toward its inevitable culmination.” –
The Playlist
Nov 25, 2025
Full Review
Keeper (2025)
51%
C-
EDIT
“"Keeper" feels like sketches of a concept intimating at a grand idea that never fully coalesces into anything of substance.” –
The Playlist
Nov 13, 2025
Full Review
Left-Handed Girl (2025)
98%
3/4
EDIT
“In a young girl’s face is all of Left-Handed Girl, as Nina Ye, like Shih-Ching Tsou behind the camera, translates the immensity of this sprawling saga into immediate, intimate detail.” –
Slant Magazine
Nov 13, 2025
Full Review
The Running Man (2025)
62%
C+
EDIT
“"The Running Man” settles for being good when, if the topline talent had leaned into their fortes, it could have been truly great.” –
The Playlist
Nov 12, 2025
Full Review
Christy (2025)
67%
2/4
EDIT
“Christy lulls us into complacency by deviating little from the standard inspirational sports-movie playbook. ” –
Slant Magazine
Nov 2, 2025
Full Review
Die My Love (2025)
74%
3.5/4
EDIT
“Lynne Ramsay unleashes her most galaxy-brained concepts with a full-bodied commitment that should be the envy of filmmakers with similar ambitions.” –
Slant Magazine
Oct 18, 2025
Full Review
No Reviews Yet
Load More
Something went wrong.. try again