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Maxance Vincent

Tomatometer-approved critic
Biography:

Maxance Vincent is a freelance film and TV Critic based in Montreal, Canada. A recent graduate in Journalism at the Université de Montréal, Maxance developed a fond affinity for genre cinema and specialized in his writing on the subject. You can find his work through many publications, including InSession Film, FilmSpeak, Awards Radar, and Loud & Clear Reviews, among others.

Reviews

Movies TV Shows
Nirvanna the Band the Show the Movie (2025) 97% 5/5 EDIT “You’ve never seen anything quite like Nirvanna the Band the Show (and the Movie). There isn’t anything like it, and there definitely won’t be a worthy successor anytime soon.” – The Cosmic Circus Feb 11, 2026 Full Review Good Luck, Have Fun, Don't Die (2025) 84% D- EDIT “This is the first time I've felt nothing while watching a movie by one of my favorite artists, who should probably keep taking a sabbatical if his grand return to moviemaking is as listless as this…” – Film Speak Feb 11, 2026 Full Review Scarlet (2025) 73% 4/5 EDIT “In an era where Hollywood blockbuster innovation seems to be at an all-time low, a film like Scarlet might stand the test of time by the end of the year and be remembered as one of 2026’s most stunning animated achievements.” – The Cosmic Circus Feb 10, 2026 Full Review The Strangers: Chapter 3 (2026) 18% 0/4 EDIT “Chapter 3 is a boring excuse of a "film" with zero redeeming qualities, whether intentionally or unintentionally. No, wait, there is one positive thing to say about the film, and it could be the year’s biggest glimmer of hope yet: it’s over.” – Awards Radar Feb 9, 2026 Full Review GOAT (2026) 81% 3/5 EDIT “Kids will be dazzled by the film’s astonishing animation, while adults will enjoy the positive message at its center, which could inspire their children to aim for bigger goals than they currently have.” – Loud and Clear Reviews Feb 9, 2026 Full Review Revolver Lily (2023) B EDIT “Yukisada quickly elevates the material with raw images of tangible, painterly power and a bevy of well-mounted, tightly calibrated action that recalls the heroic bloodshed work of John Woo and Tsui Hark.” – InSession Film Feb 6, 2026 Full Review Calle Málaga (2025) 96% A EDIT “Thanks to a deeply affectionate turn from Carmen Maura, Maryam Touzani’s Calle Málaga will tug at your heartstrings and perhaps break you into a million pieces until you are renewed by a feeling of hope and tenderness.” – Film Speak Feb 6, 2026 Full Review Sound of Falling (2025) 93% 2.5/4 EDIT “It results in an admirable – but ultimately forgettable – effort whose atmosphere sticks with you, but its micro-details slip past your psyche much faster than you’d think.” – Awards Radar Feb 3, 2026 Full Review The Moment (2026) 63% B+ EDIT “[Charli XCX's] self-referential turn as a fictionalized version of the persona she created may be her biggest stroke of genius yet.” – InSession Film Jan 31, 2026 Full Review Shelter (2026) 63% 3.5/5 EDIT “Shelter may not reinvent the screenwriting or thematic wheel, but none of it matters when the spectacle is so unabashedly fun.” – The Cosmic Circus Jan 29, 2026 Full Review Return to Silent Hill (2026) 19% B+ EDIT “For better or worse, Return to Silent Hill is Christophe Gans’ Megalopolis.” – InSession Film Jan 29, 2026 Full Review The Love That Remains (2025) 94% B+ EDIT “In a world that feels less human by the day, films like The Love That Remains are worth cherishing.” – InSession Film Jan 29, 2026 Full Review Mercy (2026) 24% F EDIT “[Mercy] is a profound waste of talent and time.” – Film Speak Jan 29, 2026 Full Review H Is for Hawk (2025) 80% B- EDIT “There’s enough [in H Is for Hawk] to at least warrant a viewing, provided you’re emotionally prepared enough to deal with the subject matter head-on. ” – Film Speak Jan 29, 2026 Full Review A Private Life (2025) 81% B+ EDIT “A Private Life’s daring Freudian dimension gives it tangible emotional heft in a type of film that probably didn’t warrant it, but we’re so glad it did.” – Film Speak Jan 29, 2026 Full Review The Wrecking Crew (2026) 73% 3.5/5 EDIT “It’s great that Soto knows how to keep the camera alive and exciting during high-energy, violent set pieces. This gives The Wrecking Crew an edge that few streaming films of the era sadly don't have.” – The Cosmic Circus Jan 26, 2026 Full Review Send Help (2026) 93% 4/5 EDIT “There are so many singular images in Raimi’s latest that seem to perfect what we’ve come to know and love from the filmmaker without feeling like he’s outright copying himself—or anyone else, for that matter.” – The Cosmic Circus Jan 26, 2026 Full Review Yunan (2025) 4/5 EDIT “The jury is still out on Ameer Fakher Eldin’s filmmaking skills, but his worldview is cogent enough to make him a promising voice in humanist cinema.” – Movies We Texted About Jan 22, 2026 Full Review The Stranger (2025) 88% A- EDIT “Not only does Ozon do the work justice with his adaptation of Camus' The Stranger, but he may even surpass it by cogently interpreting what was initially written as the smaller part of a big sociopolitical problem.” – InSession Film Jan 21, 2026 Full Review A Useful Ghost (2025) 86% C EDIT “When the effect of being bemused by what’s on screen wears off, you’re left with the odd sense that this project feels incomplete.” – InSession Film Jan 21, 2026 Full Review Magellan (2025) 88% 3.5/4 EDIT “The horrors brought upon by Magellan’s greedy conquest, in Diaz’s film, are vivid and cogently expressed.” – Awards Radar Jan 19, 2026 Full Review All You Need Is Kill (2025) 83% 3/5 EDIT “If there’s one thing All You Need Is Kill makes the case for, it’s that critics of the timeloop genre may be the most vindicated people in the world right now.” – The Cosmic Circus Jan 17, 2026 Full Review The Rip (2026) 79% 3.5/5 EDIT “Affleck and Damon’s chemistry is enough for the Netflix film to be an easygoing Saturday night viewing with a few small beers.” – The Cinema Spot Jan 17, 2026 Full Review The Chronology of Water (2025) 90% 2/5 EDIT “While I found The Chronology of Water to be an ambitiously daring feature debut from one of our best actresses working today, what lurks beneath its exterior isn’t as compelling as its filmmaker might have hoped.” – The Cinema Spot Jan 16, 2026 Full Review Dead Man's Wire (2025) 91% 3/5 EDIT “Dead Man’s Wire may be considered as one of Van Sant’s most forgettable efforts, but unlike The Sea of Trees (his worst film), it’s not for a lack of trying.” – The Cinema Spot Jan 16, 2026 Full Review
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