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Rubén Rosario

Tomatometer-approved critic

Reviews

Movies TV Shows
The Legend of Juan Jose Mundo (2025) EDIT “It's pretty darn irresistible.” – MiamiArtZine Feb 11, 2026 Full Review Orphan (2025) 60% EDIT “What was once engrossing here feels suffocating. Despite so much going for it, “Orphan” chokes on portent.” – MiamiArtZine Feb 11, 2026 Full Review Amrum (2025) 92% EDIT “Amrum's MVP is cinematographer Karl Walter Lindenlaub. The frequent Roland Emmerich collaborator's pristine images, a mélange of steely blues and earth tones, convey the island's desolation and Nanning's own loneliness.” – MiamiArtZine Feb 11, 2026 Full Review Mercy (2026) 24% EDIT “...before it fails to stick the landing, it serviceably fulfills popcorn-movie duties. Then it evaporates from your memory bank. ” – MiamiArtZine Feb 9, 2026 Full Review Good Luck, Have Fun, Don't Die (2025) 83% EDIT “What's never in doubt is that the end result, uneven but rollicking, has turned out exactly as Verbinski intended: an affectionate tribute from one maverick storyteller to another, bolstered by a refreshing lack of studio interference.” – MiamiArtZine Feb 9, 2026 Full Review Arco (2025) 92% EDIT “Arco's futuristic details are actually more interesting than the Spielbergian time travel tale it tells, but Bienvenu's storytelling sensibilities fall on the right side of earnestness. ” – MiamiArtZine Feb 9, 2026 Full Review Zootopia 2 (2025) 91% EDIT “Bush and Howard have crafted a treasure trove for kids, heavy on the slapstick and expertly conceived setpieces. Thanks to some cheeky double entendres and pop culture callouts, it's also great fun for grown-ups.” – MiamiArtZine Dec 8, 2025 Full Review Wake Up Dead Man: A Knives Out Mystery (2025) 92% EDIT “Wake Up Dead Man remains buoyant popcorn fare that fuses the most appealing elements of the previous films. ” – MiamiArtZine Dec 8, 2025 Full Review Hamnet (2025) 86% EDIT “While the film is all thumbs as an artfully rendered love story, its wan village romance gives way to a considerably more effective portrait of grief.” – MiamiArtZine Dec 8, 2025 Full Review Wicked: For Good (2025) 66% EDIT “Holiday cheese, anchored by an unlikely bond between two polar opposites and the irresistible chemistry between its stars. Even though it still left me hungering for more of the vinegar in Maguire's novel, Chu still manages to weave his own magic. ” – MiamiArtZine Nov 21, 2025 Full Review Springsteen: Deliver Me from Nowhere (2025) 61% EDIT “It nails Springsteen's humane touch.” – MiamiArtZine Nov 14, 2025 Full Review Train Dreams (2025) 95% EDIT “It's trying so hard to be uplifting that it remains stubbornly, maddeningly earthbound.” – MiamiArtZine Nov 14, 2025 Full Review The Mastermind (2025) 90% EDIT “There are no easy answers here, no pat resolutions and certainly no Pop Psych 101 explanations, just perceptive, skillfully realized moviemaking that reshapes what begins as a crime comedy into something more poignant and melancholy. ” – MiamiArtZine Oct 31, 2025 Full Review Blue Moon (2025) 91% EDIT “[Linklater] gives a damn about Hart and this transitional moment in American theater, he makes it easy for us to do the same.” – MiamiArtZine Oct 31, 2025 Full Review Frankenstein (2025) 85% EDIT “If ever there was a case of a horror movie being in dire need to be trashier and more unhinged, you're looking at del Toro's Exhibit A. ” – MiamiArtZine Oct 31, 2025 Full Review Bugonia (2025) 88% EDIT “Bugonia is undermined at just about every turn by its half-baked, self-satisfied script.” – MiamiArtZine Oct 31, 2025 Full Review River of Grass (2025) 100% EDIT “River of Grass is a steel dandelion, a wistful look back that points the way forward. It jumps in with eyes wide open.” – MiamiArtZine Oct 27, 2025 Full Review After the Hunt (2025) 37% EDIT “The film ends up being more about the generational chasm in academia than about #MeToo, an ostensibly central theme that ends up falling to the sidelines. ” – MiamiArtZine Oct 21, 2025 Full Review TRON: Ares (2025) 53% EDIT “Despite its slick surfaces, some nifty gadgets and a game cast that also includes Gillian Anderson as Julian's judgmental, skeptical mother, “Ares” can't overcome its central stumbling block.” – MiamiArtZine Oct 13, 2025 Full Review A HOUSE OF DYNAMITE (2025) 75% EDIT “Bigelow and Oppenheim turn back the clock two more times in an attempt to complete their mosaic of despair, but every time that happens, it cuts off the tension and further dilutes its cumulative impact.” – MiamiArtZine Oct 13, 2025 Full Review Plainclothes (2025) 83% EDIT “The performances are so strong, the stars' chemistry so beguiling, they almost overcome the shortcomings that hold “Plainclothes” back. What ultimately does the movie in is a misbegotten framing device...” – MiamiArtZine Oct 6, 2025 Full Review Anemone (2025) 53% EDIT “For all the self-examination on display, the characters in “Anemone” are wafer-thin, and that makes an already long film, clocking in at just over two hours, feel even longer. ” – MiamiArtZine Oct 6, 2025 Full Review The History of Sound (2025) 70% EDIT “You want to pick up “History” and cradle it, shield it from the detractors who are unmoved by it.” – MiamiArtZine Sep 26, 2025 Full Review One Battle After Another (2025) 94% EDIT “In “One Battle After Another,” Anderson perfects one skillfully staged set piece after another, and the energy never flags. ” – MiamiArtZine Sep 26, 2025 Full Review A Big Bold Beautiful Journey (2025) 37% EDIT “Following a buoyant start, “A Big Bold Beautiful Journey” loses its way. It lets self-help bromides dilute an impish irreverence that had kept things interesting. You feel the pixie dust wear off on this not-so-magical mystery tour.” – MiamiArtZine Sep 22, 2025 Full Review
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