Riefenstahl

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1:59

Riefenstahl

2025

1h 55m

Documentary

History

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Tomatometer

Popcornmeter

97%

Tomatometer

65 Reviews

Popcornmeter

Fewer than 50 Ratings

Filmmaker and Nazi propagandist Leni Riefenstahl is considered one of the most controversial women of the 20th century. Her films Triumph of the Will and Olympia are defined by their fascist aesthetics, perfectly-staged body worship, and the celebration of all that is "superior" and victorious, simultaneously projecting contempt for the imperfect and weak. But Riefenstahl -- who first broke into the German film industry as an actress -- spent decades after the war denying her association with Nazi ideology, and claiming ignorance of the Holocaust. How did she become the Reich's preeminent filmmaker if she was just a hired hand? Riefenstahl examines this question using never-before-seen documents from Leni Riefenstahl's estate, including private films, photos, recordings and letters, uncovering fragments of her biography and placing them in an extended historical context. During her long life after the fall of Nazism, she remained unapologetic, managing to control and shape her legacy; in personal documents, she mourns her "murdered ideals." Meanwhile, her work would experience a renaissance, gaining esteem for its masterful technical skill. Today, Riefenstahl's aesthetics are more present than ever. Is that also true for their message? In an era where fascism is on the rise again, fake news is prevalent, and the meaning of political imagery is constantly dissected and debated, Andres Veiel's mesmerizing new film shows that Leni Reifenstahl is more relevant than ever.

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Critics Consensus

Organizing a treasure trove of archival materials with impressive intellectual rigor, director Andres Veiel's documentary methodically dismantles Leni Riefenstahl's self-mythologizing to offer an historically clear-eyed assessment of her legacy.

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Christy Lemire

FilmWeek (LAist)

Dec 31

It's an incredible piece of editing... Laid out as it is, you see all the contradictions.

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Kat Sachs

Chicago Reader

Sep 23

To be frank, I would have appreciated more of a focus on Riefenstahl as a filmmaker, as in my mind her complicity isn’t something anyone needs to prove—it seems quite obvious.

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Robert Daniels

RogerEbert.com

Sep 19

3.5/4

By making a film that says there is no complicated legacy to Riefenstahl, Veiel’s uncomplicated approach, supported by Riefenstahl’s own words, is strongly rendered into a direct, inarguable slashing of Riefenstahl’s importance.

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Lee Jutton

Film Inquiry

Jan 13

Riefenstahl should be the last word on its subject—not just because it is the definitive one, but also because it is the last one we need. She doesn’t deserve any more.

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Stephen A. Russell

Orion's Shoulder (Substack)

Dec 31

Andres Veiel’s searing takedown of megalomaniacal Hitler’s propaganda-spinner of choice, Leni Riefenstahl, does precisely what any great prosecutor does: hangs her by her own words.

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Olga Artemyeva

ScreenAnarchy

Dec 17

It's a dig into a human’s complexity, made with a full realization on the authors’ part that an absolute clarity, something that might amount to being called the truth, can never really be achieved – even through the most meticulous study of archives.

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uncledonnienyc

Sep 6

Amazing documentary dealing with a fascinating subject Definitely will be nominated for an oscar

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Vincent S

@Vin_E_At_The_Movies Feb 6

I learned a lot from this documentary and there is a lot of compelling moments, but I grew tired of it after 60 minutes.

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Damien S

Nov 27

Should a movie with this woman's name be made?

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Robert S

Oct 28

This is a worthy effort, but it never comes together. I was very familiar with the subject, and her career, so there were some new things to pick up, but I always knew the backstory. I watched it with someone unfamiliar with her work and life, and he remained confused and unimpressed throughout.

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Doug J

Sep 18

It is like thumbing through a scrapbook. The visuals in the clips are interesting, but there is very little commentary. In the end, you are left to make up your own mind about the character based on viewing the clips. There were so many things I wanted to know. Like how did she get into filmmaking? The archival material is interesting and it’s easy to form an opinion based on watching it, but I could’ve used more factual information to back up my opinion forming..

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Stephen C

@bob25009 Sep 5

The worldwide gross is $245,837.00.

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Andreas Veiel

Director

Andres Veiel

Director

Ulrich Noethen

Narrator

Andreas Veiel

Writer

Sandra Maischberger

Producer

Andres Veiel

Screenwriter

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Riefenstahl: Trailer 1

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Synopsis

Filmmaker and Nazi propagandist Leni Riefenstahl is considered one of the most controversial women of the 20th century. Her films Triumph of the Will and Olympia are defined by their fascist aesthetics, perfectly-staged body worship, and the celebration of all that is "superior" and victorious, simultaneously projecting contempt for the imperfect and weak. But Riefenstahl -- who first broke into the German film industry as an actress -- spent decades after the war denying her association with Nazi ideology, and claiming ignorance of the Holocaust. How did she become the Reich's preeminent filmmaker if she was just a hired hand? Riefenstahl examines this question using never-before-seen documents from Leni Riefenstahl's estate, including private films, photos, recordings and letters, uncovering fragments of her biography and placing them in an extended historical context. During her long life after the fall of Nazism, she remained unapologetic, managing to control and shape her legacy; in personal documents, she mourns her "murdered ideals." Meanwhile, her work would experience a renaissance, gaining esteem for its masterful technical skill. Today, Riefenstahl's aesthetics are more present than ever. Is that also true for their message? In an era where fascism is on the rise again, fake news is prevalent, and the meaning of political imagery is constantly dissected and debated, Andres Veiel's mesmerizing new film shows that Leni Reifenstahl is more relevant than ever.

Director: Andreas Veiel, Andres Veiel
Producer: Sandra Maischberger
Screenwriter: Andreas Veiel, Andres Veiel
Distributor: Kino Lorber
Production Co: Vincent Productions, RBB, WDR, SWR, Bayerischer Rundfunk (BR), NDR
Genre: Documentary, History
Original Language: German
Release Date (Theaters): Sep 5, 2025, Limited
Release Date (Streaming): Oct 21, 2025
Box Office (Gross USA): $133.3K
Runtime: 1h 55m

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