The Stuart Hall Project (2013)
100%
EDIT
“Simultaneously elegiac and light, dense and accessible, The Stuart Hall Project is a singular work with a built-in replay value, and possessed of its own distinct sensibility.” –
Sight & Sound
Jul 31, 2018
Full Review
Chi-Raq (2015)
82%
EDIT
“In attempting to balance tragedy with fun in Chi-Raq, Lee throws a lot at the wall, hoping it'll stick. It makes for a rather odd viewing experience.” –
Vice
Jul 11, 2018
Full Review
The Hateful Eight (2015)
74%
EDIT
“Tarantino's seeming obliviousness to his manifest racial privilege, the idea of him as an authoritative cinematic voice on American race relations for future generations terrifies the living shit out of me.” –
Vice
Jul 11, 2018
Full Review
Hail, Caesar! (2016)
86%
EDIT
“Hail, Caesar! moves at an easy but never draggy pace, and soars in sequences that invite viewers to lose themselves in the magic of the movies, only for the curtain to be pulled back, revealing the artifice.” –
Vice
Jul 11, 2018
Full Review
Detroit (2017)
82%
EDIT
“In one of the darkest moments I've experienced in a cinema for some time, I caught myself wondering whether the horror shown is so detailed, so unremitting, that white supremacists might actually enjoy watching it.” –
4Columns
Nov 10, 2017
Full Review
Microbe and Gasoline (2015)
92%
EDIT
“As Microbe and Gasoline proceeds, and the boys' friendship is tested by a variety of factors, the film gathers a stark emotional force that has eluded Gondry since Eternal Sunshine of the Spotless Mind.” –
Reverse Shot
Jul 6, 2016
Full Review
Creed (2015)
95%
4/5
EDIT
“Creed packs a serious punch, replete with crunching fight sequences captured in a probing, prowling style.” –
Little White Lies
Dec 1, 2015
Full Review
Steve Jobs (2015)
85%
2/5
EDIT
“Steve Jobs is scuppered by its repetitive nature, with Sorkin's overly verbose dialogue and Boyle's proclivity for on-the-nose visual statements sorely testing the patience, even if one is prepared for them.” –
Little White Lies
Nov 11, 2015
Full Review
Sunset Song (2015)
81%
EDIT
“A rich drama about the pleasures and strains of labour, the realities of adulthood in a harsh climate and the indomitability of the Scottish spirit.” –
Sight & Sound
Sep 17, 2015
Full Review
Our Brand Is Crisis (2015)
36%
EDIT
“Sadly, Green's film devolves into an anonymous mulch with little to offer beyond its central insistence that contemporary politics is a den of snakes, and that policies are subordinate to character.” –
Sight & Sound
Sep 16, 2015
Full Review
Second Coming (2014)
79%
4/5
EDIT
“Heralds the emergence of a major new filmmaking talent in Debbie Tucker Green.” –
Little White Lies
Jun 5, 2015
Full Review
United Passions (2014)
0%
EDIT
“The major players uniformly fail to bring their A-games.” –
Village Voice
Jun 2, 2015
Full Review
Reset (2015)
20%
EDIT
“At least Bojack had the decency to bring this turgid, self-indulgent doodle in at a slim 79 minutes.” –
Village Voice
Apr 7, 2015
Full Review
The Barber (2014)
22%
EDIT
“Only Glenn, whose taciturn performance is punctuated by flashes of genuine menace, lifts The Barber to "watchable."” –
Village Voice
Mar 24, 2015
Full Review
Straight Outta Tompkins (2015)
EDIT
“Straight Outta Tompkins is rarely boring, but neither does it come close to attaining the hard-hitting moral force its creator is clearly striving for.” –
Village Voice
Mar 3, 2015
Full Review
Selma (2014)
99%
EDIT
“The famed American civil-rights leader Martin Luther King Jr has been strangely under-represented in the cinema. Ava DuVernay's excellent third film thankfully puts this continued omission right.” –
Sight & Sound
Feb 5, 2015
Full Review
Enter the Dangerous Mind (2013)
9%
EDIT
“A narratively repetitive thriller suffused with movie-psycho clichs.” –
Village Voice
Feb 3, 2015
Full Review
American Sniper (2014)
71%
EDIT
“A stark, powerfully-acted drama featuring a career-best turn from Bradley Cooper.” –
Film4
Jan 15, 2015
Full Review
Dumb and Dumber To (2014)
31%
EDIT
“More miss than hit - and shockingly creepy in places - but a handful of sizable laughs make this sequel just about worthwhile.” –
Film4
Dec 19, 2014
Full Review
Concerning Violence (2014)
90%
EDIT
“In many cases, Fanon's astringent words seem as relevant today as ever.” –
Sight & Sound
Dec 5, 2014
Full Review
The Overnighters (2014)
97%
4/5
EDIT
“Demands a rewatch, and is so stuffed with incident that someone should remake it into an overcooked, Americana melodrama.” –
Little White Lies
Oct 30, 2014
Full Review
Lilting (2014)
82%
EDIT
“Thanks to the delicate, multilingual set-up, almost every exchange carries an unpredictable dramatic charge.” –
Sight & Sound
Aug 15, 2014
Full Review
Boyhood (2014)
97%
EDIT
“Boyhood proceeds in brisk, implacably linear chronological fashion, and despite its 165-minute running time, is astonishingly minimal.” –
Sight & Sound
Jul 11, 2014
Full Review
Belle (2013)
84%
4/5
EDIT
“Race, love and social politics are deftly handled in Amma Asante's forcefully-acted feminist period drama.” –
Little White Lies
Jun 12, 2014
Full Review
Fruitvale Station (2013)
94%
EDIT
“It focuses on its subject's humanity and assesses the tragedy on a personal rather than explicitly sociopolitical level. However, the way in which it fleshes out Oscar's character makes it an acutely political work.” –
Sight & Sound
Jun 6, 2014
Full Review
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