Pillion (2025)
100%
3.5/5
EDIT
“Lighton’s approach replaces sentimentality with mordancy, while razor-sharp wit appears in measured, well-timed doses.” –
Always Good Movies
Feb 17, 2026
Full Review
The Voice of Hind Rajab (2025)
95%
3.5/5
EDIT
“Ben Hania confronts us with the tragedy of war and our powerlessness in the face of such inhuman brutality.” –
Always Good Movies
Feb 17, 2026
Full Review
The Secret Agent (2025)
98%
4/5
EDIT
“With Filho’s razor-sharp direction and actors fully inhabiting their roles, the film illustrates how absolute power and systemic corruption can corrode an entire country through lies, greed, and violence.” –
Always Good Movies
Feb 17, 2026
Full Review
Marty Supreme (2025)
94%
4/5
EDIT
“Safdie pushes the pace hard, and the actors keep up. At times, less might have been more, as the relentless intensity can become tiring, but Marty Supreme still delivers a compelling character study rich in unexpected twists, humor, and narrative momentum” –
Always Good Movies
Feb 17, 2026
Full Review
Peter Hujar's Day (2025)
92%
3/5
EDIT
“Ultimately, it is Whishaw and Hall who hold everything together, giving the dialogue its weight, rhythm, and emotional grounding.” –
Always Good Movies
Feb 17, 2026
Full Review
Roofman (2025)
87%
3/5
EDIT
“Even as the narrative settles into a familiar rhythm, Cianfrance’s approach retains a certain artfulness. He and Tatum deliver an acceptable, if not especially original, piece of work.” –
Always Good Movies
Feb 4, 2026
Full Review
Urchin (2025)
96%
3.5/5
EDIT
“Merciless and unsettling, it is a tightly focused indie drama perfectly scaled to the towering performance at its center. ” –
Always Good Movies
Feb 4, 2026
Full Review
Ballad of a Small Player (2025)
49%
3/5
EDIT
“The film never quite coheres as a whole, and its twists are unlikely to astonish, but Farrell remains a constant source of fascination.” –
Always Good Movies
Feb 4, 2026
Full Review
Dreams (2024)
90%
3/5
EDIT
“A tender meditation on first love, fantasy, and the gradual process of growing up and moving on.” –
Always Good Movies
Feb 4, 2026
Full Review
The Mysterious Gaze of the Flamingo (2025)
95%
2.5/5
EDIT
“An anemic blend of turbulent coming-of-age drama, social critique, and revenge tale.” –
Always Good Movies
Jan 27, 2026
Full Review
If I Had Legs I'd Kick You (2025)
92%
4.5/5
EDIT
“Viewers drawn to pungent, psychologically offbeat dramas will find much to savor in this fluid, slightly bruised, irresistibly skewed, and deliciously nightmarish experience.” –
Always Good Movies
Jan 27, 2026
Full Review
Nuremberg (2025)
72%
2/5
EDIT
“At times artificial, at others overtly sentimental, this historical-by-numbers drama never quite finds the path to grandeur or resonance.” –
Always Good Movies
Jan 27, 2026
Full Review
The Mastermind (2025)
90%
4/5
EDIT
“Simmering without boiling, The Mastermind peels off the surfaces of old-school heist genre, smartly avoiding commonplace, complacency, and demagogy to achieve something truly moody and dusky.” –
Always Good Movies
Jan 27, 2026
Full Review
Sentimental Value (2025)
97%
4/5
EDIT
“This is family drama at its most quietly devastating, sustaining a strong dramatic integrity as its characters grapple with unresolved pain and buried resentment.” –
Always Good Movies
Jan 27, 2026
Full Review
Jay Kelly (2025)
75%
2/5
EDIT
“Jay Kelly is built around a series of glittering but hollow exchanges between characters who always look and act like characters.” –
Always Good Movies
Jan 13, 2026
Full Review
Springsteen: Deliver Me from Nowhere (2025)
61%
1.5/5
EDIT
“Despite the suitably retro-flavored cinematography by Cooper’s regular collaborator Masanobu Takayanagi, Springsteen: Deliver Me from Nowhere remains dramatically inert.” –
Always Good Movies
Jan 13, 2026
Full Review
The Running Man (2025)
62%
2.5/5
EDIT
“The film struggles to find a stable rhythm, repeatedly tripping over its own noisy boom-crash-bang theatrics and a shaky script.” –
Always Good Movies
Jan 13, 2026
Full Review
Wake Up Dead Man: A Knives Out Mystery (2025)
92%
2/5
EDIT
“Wake Up Dead Man ultimately takes the shape of a hollow parody—a loud, overcooked puzzle that favors spectacle over substance. ” –
Always Good Movies
Jan 13, 2026
Full Review
The Things You Kill (2025)
96%
3/5
EDIT
“Spiraling and twisting without arriving at anything truly revelatory, The Things You Kill won’t make you sweat—its surreal dimension adding too little substance to justify its ambitions.” –
Always Good Movies
Dec 28, 2025
Full Review
Hamnet (2025)
86%
2/5
EDIT
“A thin narrative spine and awkwardly staged theatrics prevent Hamnet from forging a meaningful emotional connection, leaving it more inert than affecting.” –
Always Good Movies
Dec 28, 2025
Full Review
Train Dreams (2025)
95%
3/5
EDIT
“Influenced by the dreamy tones and minimalist aesthetic of Terrence Malick, Benton crafts a cruel, elegiac, and melancholic tone poem about life, loss, grief, and the inexorable passage of time.” –
Always Good Movies
Dec 28, 2025
Full Review
It Was Just an Accident (2025)
98%
3/5
EDIT
“Support for Panahi is unquestionable, but he has articulated sharper and more inventive statements in his previous films.” –
Always Good Movies
Dec 17, 2025
Full Review
To Kill A Mongolian Horse (2024)
4/5
EDIT
“Adopting a documentary-like, Jia Zhangke-esque approach, To Kill a Mongolian Horse carries a reflective strength, keeping you in quiet suspense until its shattering finale.” –
Always Good Movies
Dec 17, 2025
Full Review
Blue Moon (2025)
91%
4/5
EDIT
“Observant in the way only Linklater can be, the film feels strikingly authentic and radiates a contagious pleasure. It is not a conventional biopic, but it’s cleverly attuned to emotional nuance, and that makes all the difference.” –
Always Good Movies
Dec 9, 2025
Full Review
Bugonia (2025)
88%
4/5
EDIT
“Though it sometimes feels calculated, it is also finely crafted, hallucinatory, and immensely entertaining. A galvanizing cinematic experience with a radical edge—one that, whether you love it or hate it, won’t be easy to forget.” –
Always Good Movies
Dec 9, 2025
Full Review
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