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Andrew Murray

Tomatometer-approved critic
Publications:

Reviews

Movies TV Shows
My Father's Shadow (2025) 98% 4/5 EDIT “[A] poignant exploration of fatherhood and memory that marks an engrossing debut from Davies Jr. ” – The Upcoming Feb 16, 2026 Full Review Little Amélie or the Character of Rain (2025) 97% 5/5 EDIT “Through Amélie’s eyes, the feature explores ideas of identity and childhood with vibrant bursts of imagination and boundless heart in what is one of the best animations in recent years.” – The Upcoming Feb 13, 2026 Full Review Send Help (2026) 93% 4/5 EDIT “Less Triangle of Sadness, a lot more Evil Dead, Send Help is a fiendishly mean-spirited and darkly comedic romp that wants viewers to have a great time.” – The Upcoming Feb 10, 2026 Full Review The President's Cake (2025) 100% 4/5 EDIT “The President’s Cake is a fiercely powerful work of cinema. By framing the corruption and poverty of Hussein’s oppressive reign through the lens of a childhood adventure, Hadi creates something that is as whimsical as it is devastating.” – The Upcoming Feb 9, 2026 Full Review Saipan (2025) 92% 3/5 EDIT “Filmmakers Glenn Leyburn and Lisa Barros D’Sa retell this sporting controversy in Saipan, a lean drama that taps into themes of Ireland’s national identity.” – The Upcoming Feb 2, 2026 Full Review Return to Silent Hill (2026) 19% 2/5 EDIT “While Gans faithfully recreates the eerie setting, Return to Silent Hill’s baffling departures from the 2001 video game and its remake fail to capture the core of what made James’s journey through this town so remarkable.” – The Upcoming Jan 26, 2026 Full Review The Regulars (2025) 4/5 EDIT “The Regulars is a feature that appeals to a very specific audience. It’s a movie about film lovers made by film lovers set within one of the UK’s most famous cinemas.” – The Upcoming Jan 8, 2026 Full Review Preparation for the Next Life (2025) 97% 3/5 EDIT “With Preparation for the Next Life, director Bing Liu (Minding The Gap) creates a sombre portrait of life and all its chaotic messiness.” – The Upcoming Dec 19, 2025 Full Review Prime Minister (2025) 93% 4/5 EDIT “Ardern’s message of empathy is more poignant than ever, and filmmakers Walshe and Utz show exactly why in this inspirational documentary.” – The Upcoming Dec 8, 2025 Full Review Dreamers (2025) 92% 3/5 EDIT “Despite stumbling towards the end, Gharoro-Akpojotor has nevertheless created a moving tale of female empowerment in this heartfelt feature.” – The Upcoming Dec 3, 2025 Full Review Universal (2025) 3/5 EDIT “Despite its handful of missteps along the way, a collection of impressive performances from its leads and a thoughtful approach to its themes ends Universal on a surprisingly poignant and bittersweet note.” – The Upcoming Nov 26, 2025 Full Review Rule Breakers (2025) 81% 3/5 EDIT “Although flawed, Rule Breakers contains a meaningful message about female empowerment that’s hard to ignore.” – The Upcoming Nov 20, 2025 Full Review In Your Dreams (2025) 86% 3/5 EDIT “There are tonnes of great visuals, just as much creativity, and a heartfelt story at its core.” – The Upcoming Nov 13, 2025 Full Review She's the He (2025) 100% 4/5 EDIT “Amongst all the innuendo, gross-out gags, and a satirical depiction of transgender fearmongering that’s fittingly accompanied by the camp anthem Time Warp, McCarthy delivers a tremendously touching coming-of-age comedy about friendship and identity.” – The Upcoming Oct 27, 2025 Full Review Sunlight (2024) 91% 4/5 EDIT “It’s an altogether absurdist affair full of dark humour, but it’s a film that never loses sight of the humanity underneath the mask.” – The Upcoming Oct 23, 2025 Full Review Twinless (2025) 97% 4/5 EDIT “Twinless is a movie that catches you by surprise. Not only does its reveal have the power to stay with viewers long after the credits roll, but the depth that Sweeney takes its themes and characters to surpasses all expectations.” – The Upcoming Oct 22, 2025 Full Review Fwends (2025) 4/5 EDIT “Somerville authentically captures two friends navigating their 20s as they walk through the Victorian capital.” – The Upcoming Oct 21, 2025 Full Review The Woman in Cabin 10 (2025) 28% 2/5 EDIT “Trapped on a yacht where every one of the ultra-wealthy guests is a suspect, this feature had the potential to be an enthralling mystery. Frustratingly, its trifecta of bland characters, undercooked plotlines, and uneven pacing sinks most of the fun.” – The Upcoming Oct 13, 2025 Full Review Steve (2025) 78% 4/5 EDIT “Steve is a film about what can happen when someone falls between the cracks. It’s a thoughtful exploration of mental health that’s carried throughout by a strong cast all the way to its triumphant conclusion.” – The Upcoming Oct 7, 2025 Full Review Irvine Welsh: Reality Is Not Enough (2025) 4/5 EDIT “Reality Is Not Enough is as much of an extension of Welsh’s enigmatic personality as it is a supplement to his writing career. It’s funny, thoughtful and hallucinogenic. It’s pure Welsh, and it’s fantastic.” – The Upcoming Oct 1, 2025 Full Review Tape (2024) 4/5 EDIT “Binzhan Tong eloquently explores themes of guilt, power and trauma in this superbly performed feature.” – The Upcoming Sep 17, 2025 Full Review From Ground Zero (2024) 98% 5/5 EDIT “The fact that this film got made is an amazing feat in itself. From Ground Zero isn’t just an anthology of excellent short films; it’s an incredibly important feature that gives these filmmakers the power to have their voices heard.” – The Upcoming Sep 8, 2025 Full Review Milk Teeth (2025) EDIT “Loaded with atmosphere and allegory, Mincan crafts a superb coming-of-age story that eloquently tackles a generational zeitgeist of 1980s Romania.” – The Upcoming Sep 8, 2025 Full Review The Cut (2024) 69% 3/5 EDIT “The Cut is a unique spin on an underdog tale. Despite boasting some impressive performances, its lacklustre character study culminates in an underwhelming finale.” – The Upcoming Sep 1, 2025 Full Review Row (2025) 58% 3/5 EDIT “From its atmospheric ocean setting to its suffocating sense of cabin fever, Row has the bones of a fantastic survival thriller. It’s disappointing, then, that its ill-conceived narrative structure undermines everything that this feature gets right.” – The Upcoming Aug 25, 2025 Full Review
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