|
10/10
|
Prometheus
(2012)
|
Emiliano Basile
|
Prometheus is a great film because it elevates the rest of science fiction and horror cinema, which often lacks ideas to justify the constant jump scares and the survival instincts of its protagonists. [Full review in Spanish]
Posted Feb 17, 2026
Edit critic review
|
|
8/10
|
The Grand Budapest Hotel
(2014)
|
Benjamín Harguindey
|
While The Grand Budapest Hotel doesn't delve as deeply into its characters' internal conflicts as "Rushmore," it's imbued with mischief and possesses an undeniable handcrafted charm. [Full review in Spanish]
Posted Feb 16, 2026
Edit critic review
|
|
8/10
|
The Edge of Heaven
(2007)
|
Juan Pablo Pugliese
|
...[The Edge of Heaven] keenly illustrates how, through pain, injustice, and death, differences and distances are accepted and overcome. [Full review in Spanish]
Posted Feb 16, 2026
Edit critic review
|
|
4/10
|
Whistle
(2025)
|
Pachi Laurino
|
... the film does everything possible to enhance a narrative we've seen time and again. Even with some tweaks, it remains repetitive. [Full review in Spanish]
Posted Feb 16, 2026
Edit critic review
|
|
8/10
|
State of Fear
(2026)
|
Emiliano Basile
|
...State of Fear is a social thriller that transforms the sequence shot into a political tool: the camera doesn't stop because neither does the violence.[Full review in Spanish]
Posted Feb 16, 2026
Edit critic review
|
|
8/10
|
Crime 101
(2026)
|
Denise Pieniazek
|
"Crime 101" is a crime movie set in Los Angeles that pleasantly surprises, managing to build an entertaining story with a modern feel but at the same time recalling the good police films of the 90s...
Posted Feb 14, 2026
Edit critic review
|
|
7/10
|
Prey
(2022)
|
Ranny Vasquez
|
Perhaps not all fans will embrace this new direction, but there is something refreshing about seeing a saga that, at last, stops looking back to ask itself what it can be, and not what it was. [Full review in Spanish]
Posted Feb 13, 2026
Edit critic review
|
|
8/10
|
Afternoons of Solitude
(2024)
|
Emiliano Basile
|
...[Afternoons of Solitude is] a denatured look at an archaic spectacle, filmed as if it were the first time we were seeing it, stripped of tradition and confronted with its naked brutality. [Full review in Spanish]
Posted Feb 13, 2026
Edit critic review
|
|
4/10
|
Ella McCay
(2025)
|
Emiliano Basile
|
Ella McCay represents a failed comeback for Brooks. A film that, like its protagonist, is driven by good intentions but never quite finds the right tone or the world it intends to inhabit. [Full review in Spanish]
Posted Feb 13, 2026
Edit critic review
|
|
8/10
|
The Darjeeling Limited
(2007)
|
Juan Pablo Russo
|
The director constantly infuses the plot with subtle irony and a dark humor rarely seen in cinema. [Full review in Spanish]
Posted Feb 13, 2026
Edit critic review
|
|
6/10
|
GOAT
(2026)
|
Laia Cabuli
|
While GOAT constructs a plot with clear messages about passion, self-esteem, and generational clashes, and offers an interesting reflection on the logic of digital fame, the third act feels bittersweet and overly fast-paced. [Full review in Spanish]
Posted Feb 12, 2026
Edit critic review
|
|
7/10
|
Wuthering Heights
(2026)
|
Laia Cabuli
|
It is a risky and, at times, uneven undertaking, but also passionate and visually powerful. [Full review in Spanish]
Posted Feb 11, 2026
Edit critic review
|
|
8/10
|
No Other Land
(2024)
|
Emiliano Basile
|
The filmmakers have crafted a powerful censure, in which the images speak for themselves: an excavator advancing on the horizon, a child playing among the rubble, a mother leading her family. [Full review in Spanish]
Posted Feb 11, 2026
Edit critic review
|
|
6/10
|
The Damned
(2024)
|
Emiliano Basile
|
The result is a disturbing, understated, and consistent film that confirms the potential of folkloric horror as a vehicle for exploring our deepest fears: those born from our own choices. [Full review in Spanish]
Posted Feb 09, 2026
Edit critic review
|
|
7/10
|
Dangerous Animals
(2025)
|
Emiliano Basile
|
Dangerous Animals is, ultimately, an intense and well-executed psychological thriller, where the true horror doesn't arise from the ocean, but from the mind of a predator who understands fear as his natural habitat. [Full review in Spanish]
Posted Feb 06, 2026
Edit critic review
|
|
6/10
|
La Fiera
(2026)
|
Santiago Echeverría
|
...a visually stunning film that respects the figures it portrays, but it falls short in constructing a narrative experience that transcends the initial awe. [Full review in Spanish]
Posted Feb 05, 2026
Edit critic review
|
|
6/10
|
Greenland 2: Migration
(2026)
|
Emiliano Basile
|
...Greenland 2 fulfills its function as a decent, well-intentioned product, consistent with its pessimistic view of humanity's future. However, in cinematic terms, it lacks the novelty and energy necessary to transcend...Full review in Spanish]
Posted Feb 04, 2026
Edit critic review
|
|
7/10
|
Arco
(2025)
|
Laia Cabuli
|
While Arco boasts a solid structure and delivers powerful messages—permeated by sadness, environmentalism, family, and the dangers of technological advancement—the narrative occasionally becomes overly monotonous. [Full review in Spanish]
Posted Feb 04, 2026
Edit critic review
|
|
7/10
|
The Toxic Avenger
(2023)
|
Emiliano Basile
|
The Toxic Avenger aims to be—and succeeds—faithful to the universe created by Troma Entertainment: a nonsensical gorefest, an unrestrained experience that enthusiastically embraces absurdity. [Full review in Spanish]
Posted Feb 04, 2026
Edit critic review
|
|
4/10
|
Percy Jackson & the Olympians: The Lightning Thief
(2010)
|
Juan Pablo Pugliese
|
Of course, of the early installments in fantasy series...Percy Jackson is the least successful, lacking the artistic flair, visual spectacle, and charismatic characters necessary for—at the very least—effective entertainment. [Full review in Spanish]
Posted Feb 03, 2026
Edit critic review
|
|
6/10
|
The Girl With the Dragon Tattoo
(2009)
|
Ezequiel Obregón
|
A social drama laced with thriller elements, The Girl With the Dragon Tattoo is ultimately a film with a very contemporary perspective,...[Full review in Spanish]
Posted Feb 03, 2026
Edit critic review
|
|
8/10
|
The Hurt Locker
(2008)
|
Ezequiel Boetti
|
...The Hurt Locker is an intense story that addresses war, shocking for its brutality and for a regrettable factor: its undesirable relevance today. [Full review in Spanish]
Posted Feb 03, 2026
Edit critic review
|
|
8/10
|
Shine a Light
(2008)
|
Emiliano Basile
|
The film isn't a documentary but a musical, because Martin Scorsese discovers that the best way to portray the band isn't through interviews (some of which function as interludes between songs) but on stage itself. [Full review in Spanish]
Posted Feb 03, 2026
Edit critic review
|
|
2/10
|
RocknRolla
(2008)
|
Emiliano Basile
|
Ritchie seems to work more comfortably when he returns to "bad boy" stories, but the inevitable question is what RocknRolla brings to that path. The answer is simple: little to nothing. [Full review in Spanish]
Posted Feb 03, 2026
Edit critic review
|
|
6/10
|
Crossing Over
(2009)
|
Emiliano Basile
|
The issues raised remain open, without real resolution, even though the film chooses to close the narrative with a reassuring gesture. The ink, however, is still fresh. [Full review in Spanish]
Posted Feb 03, 2026
Edit critic review
|
|
8/10
|
Dolan's Cadillac
(2009)
|
Emiliano Basile
|
Dolan's Cadillac...functions as an effective exercise in entertainment, sustained by a simple idea and taken to its ultimate consequences. [Full review in Spanish]
Posted Feb 03, 2026
Edit critic review
|
|
6/10
|
Tear This Heart Out
(2008)
|
Emiliano Basile
|
...Roberto Sneider's film breaks with traditional melodrama. While melodrama as a genre leans toward extreme conservatism, here the family is portrayed as a space of confinement for Catalina... [Full review in Spanish]
Posted Feb 03, 2026
Edit critic review
|
|
6/10
|
Deepfaking Sam Altman
(2025)
|
Ezequiel Boetti
|
[Adam Bhala Lough]...and his constant clashes with producers not only add depth but also reveal the anxiety of a filmmaker confronted by a corporate system that becomes inaccessible even to those seeking to question it. [Full review in Spanish]
Posted Feb 03, 2026
Edit critic review
|
|
3/10
|
Return to Silent Hill
(2026)
|
Miguel Calabria
|
... a generic film that could belong to any franchise, incapable of capturing what made Silent Hill such a personal and enduring experience. [Full review in Spanish]
Posted Feb 02, 2026
Edit critic review
|
|
8/10
|
My Blueberry Nights
(2007)
|
Emiliano Basile
|
[Kar-Wai Wong] dares to place the camera where no one else does...in addition to the accelerated image effects that have become a signature of the director. [Full review in Spanish]
Posted Feb 02, 2026
Edit critic review
|
|
8/10
|
Jellyfish
(2007)
|
Ezequiel Obregón
|
...Jellyfish builds a form of dissonant realism, where laconic dialogue and informational economy are only slightly interrupted by brief bursts of the dreamlike, like flashes in the darkness. [Full review in Spanish]
Posted Feb 02, 2026
Edit critic review
|
|
4/10
|
City of Dreams
(2024)
|
Juan Pablo Russo
|
The film points out the crime, shows it, and repeats it, but dedicates less time to exploring the conditions that make it possible, as if the urgency of the message were displacing any attempt at complexity. [Full review in Spanish]
Posted Feb 02, 2026
Edit critic review
|
|
4/10
|
Body of Lies
(2008)
|
Ezequiel Obregón
|
The story has been told many times before, and better. [Full review in Spanish]
Posted Feb 02, 2026
Edit critic review
|
|
8/10
|
Departures
(2008)
|
Emiliano Basile
|
Like its protagonist, the film doesn't give us a precise explanation of what's so special about the ritual. It's magic and emotion at the same time, and that's precisely what the film manages to convey. [Full review in Spanish]
Posted Feb 02, 2026
Edit critic review
|
|
6/10
|
The Big Fake
(2026)
|
Juan Pablo Russo
|
It doesn't forge a sustained connection with the viewer nor does it take risks in its perspective, but it offers a clear and accessible account of a key period in Italian history. [Full review in Spanish]
Posted Feb 02, 2026
Edit critic review
|
|
8/10
|
Complices
(2009)
|
Lucía Roitbarg
|
It has just the right elements to be a high-quality and original thriller. [Full review in Spanish]
Posted Feb 02, 2026
Edit critic review
|
|
8/10
|
Sweeney Todd: The Demon Barber of Fleet Street
(2007)
|
Ezequiel Obregón
|
Burton uses close-ups to intensify the pathos of his characters, while the stylized choreography functions as a narrative device that deepens—and doesn't conceal—their tormented personalities. [Full review in Spanish]
Posted Feb 02, 2026
Edit critic review
|
|
8/10
|
Aída y Vuelta
(2026)
|
Santiago Echeverría
|
...Aída y Vuelta solidifies itself as a comedy that transcends the label of a spin-off and offers a perspective on time, acting, and the mechanisms that underpin television fiction. [Full review in Spanish]
Posted Feb 02, 2026
Edit critic review
|
|
7/10
|
A Walk Among the Tombstones
(2014)
|
Emiliano Basile
|
...Liam Neeson delivers a superb performance, proving himself perfectly suited to enter such scenarios with sheer force of will. [Full review in Spanish]
Posted Jan 30, 2026
Edit critic review
|
|
6/10
|
Race to Witch Mountain
(2009)
|
Emiliano Basile
|
...the film seamlessly blends action, science fiction, and comedy, crafting a story that resonates with its target demographic. [Full review in Spanish]
Posted Jan 30, 2026
Edit critic review
|
|
6/10
|
A Guide to Recognizing Your Saints
(2006)
|
Ezequiel Boetti
|
Robert Downey Jr.'s performance as the adult Dito is particularly noteworthy, subtly crafting the character. [Full review in Spanish]
Posted Jan 30, 2026
Edit critic review
|
|
2/10
|
Spread
(2009)
|
Juan Pablo Russo
|
There are no scenes that build meaning, nor are there any formal choices that compensate for the script's emptiness. It falls short as both entertainment and provocation. [Full review in Spanish]
Posted Jan 30, 2026
Edit critic review
|
|
7/10
|
The Musicians
(2025)
|
Amparo Cabal
|
...this is a film that fundamentally addresses teamwork and the need to set aside a portion of individuality for the sake of the work. In this sense, the film offers no surprises, either narratively or in terms of plot. [Full review in Spanish]
Posted Jan 29, 2026
Edit critic review
|
|
6/10
|
Cold Storage
(2026)
|
Nicolás Dell’Acqua
|
The premise is the same as countless films and series in the genre, but, fully aware of this, Cold Storage more than fulfills its goal of being entertaining...[Full review in Spanish]
Posted Jan 29, 2026
Edit critic review
|
|
8/10
|
Certified Copy
(2010)
|
Ezequiel Obregón
|
At this point in the year, Certified Copy is a surprise for the local box office. A welcome one indeed. [Full review in Spanish]
Posted Jan 29, 2026
Edit critic review
|
|
6/10
|
The Wrecking Crew
(2026)
|
Emiliano Basile
|
[Dave Bautista and Jason Momoa's] contrast and charisma elevate a fairly conventional plot, adding humor and constant nods to action films, with references to other stars of the genre. [Full review in Spanish]
Posted Jan 28, 2026
Edit critic review
|
|
6/10
|
Daybreakers
(2009)
|
Juan Pablo Pugliese
|
With interesting twists and familiar metaphorical elements, Daybreakers is a distinguished combination of action and special effects, whose cast supports an ingenious plot... [Full review in Spanish]
Posted Jan 28, 2026
Edit critic review
|
|
2/10
|
Old Dogs
(2009)
|
Juan Pablo Pugliese
|
The film is dominated by a clumsy, boring, and irritating humor that pervades the narrative from beginning to end. [Full review in Spanish]
Posted Jan 28, 2026
Edit critic review
|
|
4/10
|
Fighting
(2009)
|
Juan Pablo Pugliese
|
[The fights are] a decorative element in a film whose recreation of clandestine environments and situations suffers from a fleeting quality...[Full review in Spanish]
Posted Jan 28, 2026
Edit critic review
|
|
7/10
|
Death of a Unicorn
(2025)
|
Emiliano Basile
|
An imperfect, excessive film, fully aware of its own madness. [Full review in Spanish]
Posted Jan 28, 2026
Edit critic review
|
Continue with Google
>
